The streets fascinate me as transitional, public spaces where history, identity, and power intersect. I am drawn to the solitary figure navigating these urban landscapes—especially women—as they negotiate visibility and agency amidst shifting social structures.
At night, the city transforms. Darkness reveals hidden dynamics: shadows echo the invisible, roles shift, and histories awaken. I trace how the urban nocturnal stage offers both freedoms and vulnerabilities. Light becomes selective, shaping what is seen and what remains concealed. Each movement through shadow is an act of presence and disappearance.
Colour and light are central to my practice—not simply aesthetic elements but emotional and political forces. I explore how bodies move through space, together yet separate; the singular and the mass. In the urban environment, an isolated figure becomes both subject and sculptor—reflecting, refracting, resisting the illumination that seeks to define it. Through hue, saturation, and shadow, I transform solitary presences into beacons, ghosts, or unassailable forces, challenging perceptions of public space and who belongs within it.
My work unfolds within a contemporary urban narrative—where the female presence is no longer marginal but actively rewriting the city’s social and visual stories.
MA in Contemporary Art Practice & Photography, Royal College of Art
BA in Fine Arts, Chelsea College of Arts
FdA in Art & Design, Central Saint Martins